F Locrian 𝄫3 ♭4

123456789101112131415FG♭A𝄫B𝄫C♭D♭E♭FG♭A𝄫C♭D♭E♭FG♭A𝄫B𝄫C♭D♭A𝄫B𝄫C♭D♭E♭FG♭A𝄫B𝄫E♭FG♭A𝄫B𝄫C♭D♭E♭FB𝄫C♭D♭E♭FG♭A𝄫B𝄫C♭FG♭A𝄫B𝄫C♭D♭E♭FG♭A𝄫

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F Locrian 𝄫3 ♭4 Scale

R♭2𝄫3♭4♭5♭6♭78FG♭A𝄫B𝄫C♭D♭E♭FSSTTTTT
Step pattern H – H – W – W – W – W – W

F Locrian 𝄫3 ♭4 contains 7 notes: F, G♭, A𝄫, B𝄫, C♭, D♭, E♭. It has 4 flats: G♭, C♭, D♭, E♭. The step pattern is H–H–W–W–W–W–W.

The most altered mode of the Neapolitan major family, with almost every degree flattened and the 3rd double-flatted. It exists at the theoretical extreme of modal alteration.

The formula is 1, b2, bb3, b4, b5, b6, b7. The bb3 is enharmonically a major 2nd, creating a paradoxical interval: what sounds like a whole step is notated as a diminished 3rd. Understanding these enharmonic relationships deepens one's grasp of how modal theory works at its edges.

Purely theoretical. If encountered, treat it as a brief chromatic color resolving quickly to something stable. Its value is in understanding the complete modal system of the Neapolitan major scale.

FA𝄫B𝄫C♭G♭FD♭E♭R𝄫3♭4♭5♭28♭6♭7
𝄞F (R)G♭ (♭2)A𝄫 (𝄫3)B𝄫 (♭4)C♭ (♭5)D♭ (♭6)E♭ (♭7)F (8)
Avant-gardeContemporary classical